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values | excerpt_start_time stringclasses 41
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values | song_link stringlengths 33 37 | jamendo_id stringlengths 3 7 | song_name stringlengths 4 61 | artist_name stringlengths 4 29 | album_name stringlengths 3 54 | song_license_url stringclasses 21
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q1_1204663 | Which of the following best fits the guitar pattern heard at the beginning of this excerpt? | riff | glissando | Alberti | walking bass | Melody | Musical Texture | Low | 00:00 | 01:00 | https://www.jamendo.com/track/1204663 | 1204663 | Madly, Deeply | Melanie Ungar | What Is Love | http://creativecommons.org/licenses/by/3.0/ | |
q2_1204663 | Which section of the song follows this harmonic progression: vi, IV, I, V? | chorus | verse | bridge | outro | Structure | Harmony | High | 00:45 | 01:45 | https://www.jamendo.com/track/1204663 | 1204663 | Madly, Deeply | Melanie Ungar | What Is Love | http://creativecommons.org/licenses/by/3.0/ | |
q3_1204663 | What type of beat do you hear in the drums? | rock | funk | soul | jazz | Metre and Rhythm | Genre and Style | Low | 00:45 | 01:45 | https://www.jamendo.com/track/1204663 | 1204663 | Madly, Deeply | Melanie Ungar | What Is Love | http://creativecommons.org/licenses/by/3.0/ | |
q4_196219 | What kind of accompaniment best defines the beginning of the song? | arpeggios | block chords | broken chords | counterpoint | Musical Texture | Harmony | Medium | 00:00 | 01:00 | https://www.jamendo.com/track/196219 | 196219 | Stories from Emona I | Maya Filipič | Between two worlds | http://creativecommons.org/licenses/by-nc-nd/3.0/ | |
q5_196219 | What type of articulation best defines the melody of this song? | legato | marcato | sforzando | staccato | Performance | Mood and Expression | Low | 00:00 | 01:00 | https://www.jamendo.com/track/196219 | 196219 | Stories from Emona I | Maya Filipič | Between two worlds | http://creativecommons.org/licenses/by-nc-nd/3.0/ | |
q6_196219 | What level of ornamentation is present in the melody? | high | low | medium-low | none | Melody | Performance | Medium | 00:00 | 01:00 | https://www.jamendo.com/track/196219 | 196219 | Stories from Emona I | Maya Filipič | Between two worlds | http://creativecommons.org/licenses/by-nc-nd/3.0/ | |
q7_171574 | What type of beat do you hear in the drums? | four on the floor | swing | eighth note groove | shuffle groove | Metre and Rhythm | Medium | 00:00 | 01:00 | https://www.jamendo.com/track/171574 | 171574 | One Nice Thing Once a Day | UltraCat | Disco High | http://creativecommons.org/licenses/by-nc-nd/3.0/ | ||
q8_171574 | How many chords are played in the song? | two | one | three | four | Harmony | Medium | 01:00 | 02:00 | https://www.jamendo.com/track/171574 | 171574 | One Nice Thing Once a Day | UltraCat | Disco High | http://creativecommons.org/licenses/by-nc-nd/3.0/ | ||
q9_171574 | What type of filter is applied to the melodic instruments at the beginning of the song? | Low Pass Filter | High Pass Filter | Band Pass Filter | Band Stop Filter (Notch) | Sound Texture | Medium | 00:00 | 01:00 | https://www.jamendo.com/track/171574 | 171574 | One Nice Thing Once a Day | UltraCat | Disco High | http://creativecommons.org/licenses/by-nc-nd/3.0/ | ||
q10_1093606 | What effect is applied to the vocals in this track? | pitch correction | Bitcrush | Ring modulation | gated reverb | Sound Texture | Performance | Low | 00:00 | 01:00 | https://www.jamendo.com/track/1093606 | 1093606 | Dollhouse | Lilly Wolf | This Painted Life | http://creativecommons.org/licenses/by/3.0/ | |
q11_1093606 | What note of the chords does the bass play during the verse? | 1st (fundamental) | 3rd | 5th | 7th | Harmony | Instrumentation;Musical Texture | High | 00:00 | 01:00 | https://www.jamendo.com/track/1093606 | 1093606 | Dollhouse | Lilly Wolf | This Painted Life | http://creativecommons.org/licenses/by/3.0/ | |
q12_1093606 | What instrument plays the lead sound in the introduction? | Synthesizer | Bass guitar | Piano | Ukulele | Instrumentation | Sound Texture;Structure | Low | 00:00 | 01:00 | https://www.jamendo.com/track/1093606 | 1093606 | Dollhouse | Lilly Wolf | This Painted Life | http://creativecommons.org/licenses/by/3.0/ | |
q13_1045016 | What time signature do you hear in this song? | 4/4 | 3/4 | 6/8 | 12/16 | Metre and Rhythm | Medium | 00:30 | 01:30 | https://www.jamendo.com/track/1045016 | 1045016 | Don't Lose Your Way | Olga Zhilkova | Don't Lose Your Way | http://creativecommons.org/licenses/by-sa/3.0/ | ||
q14_1045016 | Which instrument is introduced in the chorus? | shaker | bass guitar | electric piano | trumpet | Instrumentation | Structure | Low | 01:00 | 02:00 | https://www.jamendo.com/track/1045016 | 1045016 | Don't Lose Your Way | Olga Zhilkova | Don't Lose Your Way | http://creativecommons.org/licenses/by-sa/3.0/ | |
q15_1045016 | Where is the shaker positioned in the stereo field? | left | centre | down | up | Sound Texture | Instrumentation | Low | 01:00 | 02:00 | https://www.jamendo.com/track/1045016 | 1045016 | Don't Lose Your Way | Olga Zhilkova | Don't Lose Your Way | http://creativecommons.org/licenses/by-sa/3.0/ | |
q16_1100505 | What type of synthesizer sound predominates in the chorus behind the vocals? | pad | lead | pluck | sequenced | Sound Texture | Instrumentation | Medium | 00:50 | 02:00 | https://www.jamendo.com/track/1100505 | 1100505 | Anyway - Produced by J. Glaze | Kellee Maize | The 5th Element (2014) | http://creativecommons.org/licenses/by-nc-sa/3.0/ | |
q17_1100505 | How are the hi-hats played in this song? | closed | open | half open | there are no hi hats | Performance | Instrumentation;Metre and Rhythm | Medium | 01:20 | 02:20 | https://www.jamendo.com/track/1100505 | 1100505 | Anyway - Produced by J. Glaze | Kellee Maize | The 5th Element (2014) | http://creativecommons.org/licenses/by-nc-sa/3.0/ | |
q18_1100505 | During the introduction, there is a low-pass filter that is changing its frequency. Could you say in which direction it is shifting? | up | down | down-up | up-down | Sound Texture | Structure | Medium | 00:00 | 01:00 | https://www.jamendo.com/track/1100505 | 1100505 | Anyway - Produced by J. Glaze | Kellee Maize | The 5th Element (2014) | http://creativecommons.org/licenses/by-nc-sa/3.0/ | |
q19_435883 | During the introduction, the kick is played twice in each bar. On which beats? | one and between the second and the third beat | two and four | one and three | two and three | Metre and Rhythm | Instrumentation | Medium | 00:00 | 01:00 | https://www.jamendo.com/track/435883 | 435883 | I dont need you | Ay - 14ice | First Step - I Don´t Need You | http://creativecommons.org/licenses/by-nc-nd/3.0/ | |
q20_435883 | During the sax solo, what scale is the electric piano using? | blues | major pentatonic | minor pentatonic | hexatonic | Melody | Harmony | High | 02:03 | 02:47 | https://www.jamendo.com/track/435883 | 435883 | I dont need you | Ay - 14ice | First Step - I Don´t Need You | http://creativecommons.org/licenses/by-nc-nd/3.0/ | |
q21_435883 | In the introduction, the snare is played on the... | rim (rimshot) | edge | center | side | Performance | Instrumentation;Sound Texture | Medium | 00:00 | 01:00 | https://www.jamendo.com/track/435883 | 435883 | I dont need you | Ay - 14ice | First Step - I Don´t Need You | http://creativecommons.org/licenses/by-nc-nd/3.0/ | |
q22_1215874 | During the introduction, the bass and the lead play their melodies in a... | parallel motion | contrary motion | oblique | random | Melody | Musical Texture | Medium | 00:00 | 01:00 | https://www.jamendo.com/track/1215874 | 1215874 | Dance tonight | Lollita | Lollita Dance Tonight | http://creativecommons.org/licenses/by-sa/3.0/ | |
q23_1215874 | During the chorus, we can hear a very popular type of synthesizer sound. Can you guess its name? | supersaw | square wave | triangle wave | sine wave | Sound Texture | Instrumentation | Medium | 00:46 | 01:18 | https://www.jamendo.com/track/1215874 | 1215874 | Dance tonight | Lollita | Lollita Dance Tonight | http://creativecommons.org/licenses/by-sa/3.0/ | |
q24_1215874 | Which of these tempos is most accurate for the song? | 125 bpm | 115 bpm | 140 bpm | 150 bpm | Metre and Rhythm | Performance | Medium | 01:00 | 02:00 | https://www.jamendo.com/track/1215874 | 1215874 | Dance tonight | Lollita | Lollita Dance Tonight | http://creativecommons.org/licenses/by-sa/3.0/ | |
q25_135660 | When the drums start playing, we can hear something known as... | metric modulation | time signature change | swing | double-time | Metre and Rhythm | High | 00:04 | 01:00 | https://www.jamendo.com/track/135660 | 135660 | Over Me | Jemex | From There to Here | http://creativecommons.org/licenses/by-sa/3.0/ | ||
q26_135660 | What kind of pattern is the bass following in the verse? | minor pentatonic | Root - 8va | Dominant 7th arpeggio | Root - 5th - 8va | Melody | Instrumentation | High | 00:28 | 01:00 | https://www.jamendo.com/track/135660 | 135660 | Over Me | Jemex | From There to Here | http://creativecommons.org/licenses/by-sa/3.0/ | |
q27_135660 | What effect predominates in the electric guitar's sound? | Distortion | Delay | Gated Reverb | Flanger | Sound Texture | Instrumentation | Low | 00:56 | 01:30 | https://www.jamendo.com/track/135660 | 135660 | Over Me | Jemex | From There to Here | http://creativecommons.org/licenses/by-sa/3.0/ | |
q28_14013 | The beginning of the song starts with a change in dynamics. What is this called? | crescendo | diminuendo | sforzando | fortepiano | Performance | Mood and Expression | Low | 00:00 | 01:00 | https://www.jamendo.com/track/14013 | 14013 | Roots | Galdson | Roots | http://creativecommons.org/licenses/by-nc-nd/2.5/ | |
q29_14013 | What is the interval between the two voices that play the melody? | octave | unison | 3rd | 5th | Melody | Musical Texture;Harmony | Medium | 00:10 | 01:00 | https://www.jamendo.com/track/14013 | 14013 | Roots | Galdson | Roots | http://creativecommons.org/licenses/by-nc-nd/2.5/ | |
q30_14013 | What is the name of the ornament played by the piano in the melody? | up arpeggio | straight glissando | wavy glissando | down arpeggio | Melody | Performance | Medium | 01:15 | 02:00 | https://www.jamendo.com/track/14013 | 14013 | Roots | Galdson | Roots | http://creativecommons.org/licenses/by-nc-nd/2.5/ | |
q31_644172 | The melody starts with four notes on D. Can you guess which note is played after? | C# | C | G | E | Melody | Medium | 00:00 | 01:00 | https://www.jamendo.com/track/644172 | 644172 | Una Bugia | Millionaire Blonde | Una Bugia - SIngle Edition | http://creativecommons.org/licenses/by-nc-sa/3.0/ | ||
q32_644172 | This verse of the tune is written... | In a major key | In a minor key | Neither of the two | It is not a tonal tune | Harmony | Melody | Low | 00:13 | 01:00 | https://www.jamendo.com/track/644172 | 644172 | Una Bugia | Millionaire Blonde | Una Bugia - SIngle Edition | http://creativecommons.org/licenses/by-nc-sa/3.0/ | |
q33_644172 | What is the time signature of the tune? | 4/4 | 3/4 | 6/8 | 9/8 | Metre and Rhythm | Medium | 00:30 | 01:30 | https://www.jamendo.com/track/644172 | 644172 | Una Bugia | Millionaire Blonde | Una Bugia - SIngle Edition | http://creativecommons.org/licenses/by-nc-sa/3.0/ | ||
q34_355486 | What compositional technique do the piano and the drums use in the introduction? | call and response (also known as question and answer) | homophonically | There is only a piano in this excerpt. | counterpoint | Musical Texture | Instrumentation | Medium | 00:00 | 01:00 | https://www.jamendo.com/track/355486 | 355486 | Casa Noir | Quantum Jazz | Hand In Space | http://creativecommons.org/licenses/by-sa/3.0/ | |
q35_355486 | In the verse there is a dissonance that doesn't belong the key and mode of the tune. Do you know which one is it? | Ab | G | F | B | Melody | Harmony | High | 00:00 | 01:00 | https://www.jamendo.com/track/355486 | 355486 | Casa Noir | Quantum Jazz | Hand In Space | http://creativecommons.org/licenses/by-sa/3.0/ | |
q36_355486 | What element does the piano player introduce in the piano solo? | Block chord voicing solo | Bebop scales | Polytonality | Atonality | Harmony | Musical Texture;Performance | High | 03:20 | 04:10 | https://www.jamendo.com/track/355486 | 355486 | Casa Noir | Quantum Jazz | Hand In Space | http://creativecommons.org/licenses/by-sa/3.0/ | |
q37_337998 | Which percussion instrument plays during the verse? | conga | djembe | cabasa | timpani | Instrumentation | Structure | Medium | 00:00 | 01:00 | https://www.jamendo.com/track/337998 | 337998 | beautiful | Hiroumi | Kokoro No Furyoku | http://creativecommons.org/licenses/by-sa/3.0/ | |
q38_337998 | Here, the singer uses a specific vocal technique. Do you know what it's called? | Falsetto | Chest voice | Middle voice | None of the above | Performance | Sound Texture | Low | 02:30 | 03:30 | https://www.jamendo.com/track/337998 | 337998 | beautiful | Hiroumi | Kokoro No Furyoku | http://creativecommons.org/licenses/by-sa/3.0/ | |
q39_337998 | What type of instruments predominate in the song? | Acoustic | electronic (analog) | electronic (digital) | None of the above | Instrumentation | Sound Texture | Low | 00:00 | 01:00 | https://www.jamendo.com/track/337998 | 337998 | beautiful | Hiroumi | Kokoro No Furyoku | http://creativecommons.org/licenses/by-sa/3.0/ | |
q40_457120 | The piano introduction features a typical accompaniment style from a specific country. Which country is it? | Cuba | Brazil | Argentina | Venezuela | Genre and Style | Historical and Cultural Context;Instrumentation;Metre and Rhythm | Medium | 00:00 | 01:00 | https://www.jamendo.com/track/457120 | 457120 | Sofa | Dazie Mae | Velvet Dress & Stockings | http://creativecommons.org/licenses/by-nc-nd/3.0/ | |
q41_457120 | The guitar is a typical accompaniment from a specific country. Which country is it? | Brazil | Cuba | Argentina | Venezuela | Instrumentation | Historical and Cultural Context;Genre and Style | Medium | 00:00 | 01:00 | https://www.jamendo.com/track/457120 | 457120 | Sofa | Dazie Mae | Velvet Dress & Stockings | http://creativecommons.org/licenses/by-nc-nd/3.0/ | |
q42_457120 | What is the singer pursuing with her tone? | Sensuality | Power | Loudness | Detachment | Mood and Expression | Performance;Sound Texture | Low | 00:00 | 01:00 | https://www.jamendo.com/track/457120 | 457120 | Sofa | Dazie Mae | Velvet Dress & Stockings | http://creativecommons.org/licenses/by-nc-nd/3.0/ | |
q43_1235672 | How would you define the harmonic rhythm of this tune? | Steady | unstable | hemiolic | chaotic | Harmony | Metre and Rhythm | Medium | 00:20 | 01:20 | https://www.jamendo.com/track/1235672 | 1235672 | First Time | Matty | The Elements | http://creativecommons.org/licenses/by-nd/3.0/ | |
q44_1235672 | How could you call the section after the second verse? | C section or bridge | Verse | Chorus | Outro | Structure | Medium | 01:50 | 02:50 | https://www.jamendo.com/track/1235672 | 1235672 | First Time | Matty | The Elements | http://creativecommons.org/licenses/by-nd/3.0/ | ||
q45_1235672 | In what decade could this song be created? | 2010 | 1990 | 1980 | 1970 | Historical and Cultural Context | Genre and Style;Sound Texture;Performance;Instrumentation | Low | 01:00 | 02:00 | https://www.jamendo.com/track/1235672 | 1235672 | First Time | Matty | The Elements | http://creativecommons.org/licenses/by-nd/3.0/ | |
q46_510027 | What level of musicianship is required for a synth bass player to perform this song? | Beginner | Advanced | Expert | Professional | Performance | Instrumentation | Medium | 00:00 | 01:00 | https://www.jamendo.com/track/510027 | 510027 | Dance Till Day | Jemex | Square 1 | http://creativecommons.org/licenses/by-sa/3.0/ | |
q47_510027 | What is the intention behind adding new voices in the last section? | Increase energy | Decrease the energy | Maintain the same energy level | Introduce new energy | Musical Texture | Mood and Expression;Structure;Instrumentation | Low | 02:41 | 03:41 | https://www.jamendo.com/track/510027 | 510027 | Dance Till Day | Jemex | Square 1 | http://creativecommons.org/licenses/by-sa/3.0/ | |
q48_510027 | Does this song have a differentiated chorus section? | No, it is very similar to the verse | Yes, it is different from the verse | Yes, but it is more of a C section | No, it is exactly the same as the verse | Structure | Medium | 01:10 | 01:56 | https://www.jamendo.com/track/510027 | 510027 | Dance Till Day | Jemex | Square 1 | http://creativecommons.org/licenses/by-sa/3.0/ | ||
q49_1149194 | What is the most obvious digital music techniques used in this tune? | Vocal sampling techniques | Arpeggiating | pitch blending | resynthesizing | Sound Texture | Instrumentation | Low | 00:00 | 01:00 | https://www.jamendo.com/track/1149194 | 1149194 | Fragment (Radio Edit) | The.madpix.project | Fragment | http://creativecommons.org/licenses/by-nc-sa/3.0/ | |
q50_1149194 | Where would you imagine this song being played? | In a night club | At a children's party | During a romantic dinner | After exercising | Functional Context | Mood and Expression;Genre and Style | Low | 00:00 | 01:00 | https://www.jamendo.com/track/1149194 | 1149194 | Fragment (Radio Edit) | The.madpix.project | Fragment | http://creativecommons.org/licenses/by-nc-sa/3.0/ | |
q51_1149194 | What would you expect a professional jazz musician to say about this tune? | It is very monotonous | It would be great to play a cover of it. | I would like to sing it. | It would be the first song I would listen to after a gig. | Mood and Expression | Melody;Musical Texture;Structure | Low | 00:00 | 01:00 | https://www.jamendo.com/track/1149194 | 1149194 | Fragment (Radio Edit) | The.madpix.project | Fragment | http://creativecommons.org/licenses/by-nc-sa/3.0/ | |
q52_1107251 | How would you describe the electric guitar motif? | repetitive | varied | diverse | unstable | Melody | Instrumentation | Low | 00:00 | 01:00 | https://www.jamendo.com/track/1107251 | 1107251 | On The Beach | Jonay | On The Beach | http://creativecommons.org/licenses/by-nc-sa/3.0/ | |
q53_1107251 | Does this tune explore any themes other than love? | No | Yes, it talks about professional life. | It depends on the listener's age. | Yes, it talks about aspirations. | Lyrics | Mood and Expression | Low | 00:30 | 01:30 | https://www.jamendo.com/track/1107251 | 1107251 | On The Beach | Jonay | On The Beach | http://creativecommons.org/licenses/by-nc-sa/3.0/ | |
q54_1107251 | What level of humor does this song display? | It is a serious tune | It has some humor | It has a lot of humor | It is serious, but it has some hilarious parts | Mood and Expression | Low | 00:30 | 01:30 | https://www.jamendo.com/track/1107251 | 1107251 | On The Beach | Jonay | On The Beach | http://creativecommons.org/licenses/by-nc-sa/3.0/ | ||
q55_189585 | What is the harmonic interval between the voices in the first two notes of the verse? | 4th | 5th | octave | 6th | Harmony | Melody;Musical Texture | High | 01:30 | 02:30 | https://www.jamendo.com/track/189585 | 189585 | Triplexity - Lise (with LucB) | Triplexity | Live in Triplex City | http://creativecommons.org/licenses/by-nc-nd/3.0/ | |
q56_189585 | What harmonic technique is used during the chorus? | Secondary dominants | slash chords | Polytonality | Atonality | Harmony | Structure | High | 02:12 | 03:00 | https://www.jamendo.com/track/189585 | 189585 | Triplexity - Lise (with LucB) | Triplexity | Live in Triplex City | http://creativecommons.org/licenses/by-nc-nd/3.0/ | |
q57_189585 | Which guitar comping style can we here in the tune? | bossa nova | manouche guitar | flamenco guitar | hard bop | Genre and Style | Instrumentation;Performance;Historical and Cultural Context | Low | 03:00 | 04:00 | https://www.jamendo.com/track/189585 | 189585 | Triplexity - Lise (with LucB) | Triplexity | Live in Triplex City | http://creativecommons.org/licenses/by-nc-nd/3.0/ | |
q58_170946 | Which country does this tune remind you of? | Brazil | Uruguay | Colombia | Cuba | Historical and Cultural Context | Genre and Style | Low | 02:00 | 03:00 | https://www.jamendo.com/track/170946 | 170946 | 01-Manila | Luc Bartoli | Manila | http://creativecommons.org/licenses/by-nc-sa/3.0/ | |
q59_170946 | What effect do the brushes have on the song? | More intimacy | More precision in rhythm | Less precision | Less intimacy | Sound Texture | Mood and Expression;Performance;Instrumentation | Low | 02:00 | 03:00 | https://www.jamendo.com/track/170946 | 170946 | 01-Manila | Luc Bartoli | Manila | http://creativecommons.org/licenses/by-nc-sa/3.0/ | |
q60_170946 | Which instrumentalist do you think is the leader of the band? | pianist | bassist | saxophonist | drummer | Instrumentation | Performance | Low | 03:15 | 04:00 | https://www.jamendo.com/track/170946 | 170946 | 01-Manila | Luc Bartoli | Manila | http://creativecommons.org/licenses/by-nc-sa/3.0/ | |
q61_1278743 | What music genre does the introduction remind you of? | Bolero | copla | bossa nova | tumbao | Genre and Style | Medium | 00:00 | 01:00 | https://www.jamendo.com/track/1278743 | 1278743 | Dont Beg | The.madpix.project | Dont Beg | http://creativecommons.org/licenses/by-nc-sa/3.0/ | ||
q62_1278743 | How much fusion between genres and countries is there in this song? | high | intermediate | low | no fusion | Genre and Style | Historical and Cultural Context | Low | 00:00 | 01:00 | https://www.jamendo.com/track/1278743 | 1278743 | Dont Beg | The.madpix.project | Dont Beg | http://creativecommons.org/licenses/by-nc-sa/3.0/ | |
q63_1278743 | What effect introduces the kick in the song? | It creates an electronic vive | It creates a rock vibe | It changes the time signature | It masks the congo rhythm | Sound Texture | Metre and Rhythm;Genre and Style | Low | 00:00 | 01:00 | https://www.jamendo.com/track/1278743 | 1278743 | Dont Beg | The.madpix.project | Dont Beg | http://creativecommons.org/licenses/by-nc-sa/3.0/ | |
q64_261271 | What surprises you about the harmony in this song? | It has many second dominants | It uses chords with tensions | It uses polychords | Nothing is surprising | Harmony | High | 00:00 | 01:00 | https://www.jamendo.com/track/261271 | 261271 | Misbehaved | Dazie Mae | Dazie Mae (demo) | http://creativecommons.org/licenses/by-nc-nd/3.0/ | ||
q65_261271 | Which music genre does the introduction remind you of? | Ragtime | bebop | hard bop | gypsy jazz | Genre and Style | Low | 00:00 | 01:00 | https://www.jamendo.com/track/261271 | 261271 | Misbehaved | Dazie Mae | Dazie Mae (demo) | http://creativecommons.org/licenses/by-nc-nd/3.0/ | ||
q66_261271 | What could this music be used for? | A movie | A funeral | A soundscape installation | During an English test | Functional Context | Mood and Expression | Low | 00:00 | 01:00 | https://www.jamendo.com/track/261271 | 261271 | Misbehaved | Dazie Mae | Dazie Mae (demo) | http://creativecommons.org/licenses/by-nc-nd/3.0/ | |
q67_1051201 | What are your thoughts on the piano bass voice of the outro? | It creates an old-fashioned feeling | It is elaborated | It sounds perfectly consonant | It is too low in pitch | Mood and Expression | Instrumentation;Sound Texture;Musical Texture | Low | 03:23 | 04:23 | https://www.jamendo.com/track/1051201 | 1051201 | Show Me | Jill Zimmerman | Earthbound | http://creativecommons.org/licenses/by-nc-sa/3.0/ | |
q68_1051201 | What feeling does the music aim to create? | melancholy | excitement | joy | power | Mood and Expression | Low | 00:00 | 01:00 | https://www.jamendo.com/track/1051201 | 1051201 | Show Me | Jill Zimmerman | Earthbound | http://creativecommons.org/licenses/by-nc-sa/3.0/ | ||
q69_1051201 | What level of musicianship do the instrumentalists display in this song? | beginner | advanced | professional | expert | Performance | Low | 00:00 | 01:00 | https://www.jamendo.com/track/1051201 | 1051201 | Show Me | Jill Zimmerman | Earthbound | http://creativecommons.org/licenses/by-nc-sa/3.0/ | ||
q70_1247308 | What stands out when you listen the beginning of this song? | The poor rhythm skills of some musicians | the musicians' good sense of rhythm | the song's great originality | the harmonic progression | Metre and Rhythm | Performance | Low | 00:00 | 01:00 | https://www.jamendo.com/track/1247308 | 1247308 | To Be a Master P. | Boom Boom Beckett | Boom Boom Baby | http://creativecommons.org/licenses/by-nc/3.0/ | |
q71_1247308 | What harmonic interval does the electric guitar use during its solo? | 8va | 5th | 3rd | 6th | Harmony | Melody;Instrumentation | Medium | 01:30 | 02:30 | https://www.jamendo.com/track/1247308 | 1247308 | To Be a Master P. | Boom Boom Beckett | Boom Boom Baby | http://creativecommons.org/licenses/by-nc/3.0/ | |
q72_1247308 | What is the longest section of the tune? | Solos | Verse | Chorus | Introduction | Structure | Performance | Medium | 02:00 | 03:20 | https://www.jamendo.com/track/1247308 | 1247308 | To Be a Master P. | Boom Boom Beckett | Boom Boom Baby | http://creativecommons.org/licenses/by-nc/3.0/ | |
q73_26738 | Which instrument plays the lead sounds in the intro? | Synth | Guitar | Piano | Bass | Instrumentation | Sound Texture | Low | 00:00 | 01:00 | https://www.jamendo.com/track/26738 | 26738 | Alone | Tryad | Listen | http://creativecommons.org/licenses/by-sa/2.5/ | |
q74_26738 | What type of synths are firstly introduced in the intro? | Sequenced | Pads | Pluck | Lead | Instrumentation | Sound Texture | Medium | 00:00 | 01:00 | https://www.jamendo.com/track/26738 | 26738 | Alone | Tryad | Listen | http://creativecommons.org/licenses/by-sa/2.5/ | |
q75_26738 | What type of choral music does the intro remind you of? | Gregorian chant | Gospel | Contemporary choirs | Vocal Jazz | Genre and Style | Historical and Cultural Context | Low | 00:00 | 01:00 | https://www.jamendo.com/track/26738 | 26738 | Alone | Tryad | Listen | http://creativecommons.org/licenses/by-sa/2.5/ | |
q76_1087890 | Which guitar technique is used at the beginning of the song? | Riff | Walking bass | Tremolo picking | Banjo roll | Performance | Instrumentation | Low | 00:00 | 01:00 | https://www.jamendo.com/track/1087890 | 1087890 | Shine | Ralf G. | Shine | http://creativecommons.org/licenses/by-nc-sa/3.0/ | |
q77_1087890 | What kind of instruments are used during the song? | Digital electronic | Acoustic | Analog acoustic | Brass instruments | Instrumentation | Sound Texture | Low | 00:30 | 02:00 | https://www.jamendo.com/track/1087890 | 1087890 | Shine | Ralf G. | Shine | http://creativecommons.org/licenses/by-nc-sa/3.0/ | |
q78_1087890 | What is the predominant tempo of the song? | 136bpm | 180bpm | 90bpm | 100bpm | Metre and Rhythm | Medium | 00:30 | 02:00 | https://www.jamendo.com/track/1087890 | 1087890 | Shine | Ralf G. | Shine | http://creativecommons.org/licenses/by-nc-sa/3.0/ | ||
q79_467850 | What kind of string instrument is heard at the beginning? | Banjo | Electric guitar | Jarana | Ukulele | Instrumentation | Sound Texture | Low | 00:00 | 01:00 | https://www.jamendo.com/track/467850 | 467850 | Analcolico | Millionaire Blonde | Analcolico - Single Edition | http://creativecommons.org/licenses/by-nc-sa/3.0/ | |
q80_467850 | What genre does the song evoke? | Latin music | Rock | Flamenco | Funk | Genre and Style | Low | 00:30 | 02:00 | https://www.jamendo.com/track/467850 | 467850 | Analcolico | Millionaire Blonde | Analcolico - Single Edition | http://creativecommons.org/licenses/by-nc-sa/3.0/ | ||
q81_467850 | Which continent does the rhythm of the song remind you of? | South America | Europe | Africa | Asia | Metre and Rhythm | Genre and Style;Historical and Cultural Context | Low | 00:30 | 02:00 | https://www.jamendo.com/track/467850 | 467850 | Analcolico | Millionaire Blonde | Analcolico - Single Edition | http://creativecommons.org/licenses/by-nc-sa/3.0/ | |
q82_875005 | What is the tempo of the intro? | Adagio | Andante | Allegro | Moderato | Metre and Rhythm | Performance;Structure | Medium | 00:00 | 00:35 | https://www.jamendo.com/track/875005 | 875005 | look up | This Public Life | The Banquet | http://creativecommons.org/licenses/by-sa/3.0/ | |
q83_875005 | How many chords are played in the intro? | 2 | 1 | 3 | 4 | Harmony | Structure | Medium | 00:00 | 00:40 | https://www.jamendo.com/track/875005 | 875005 | look up | This Public Life | The Banquet | http://creativecommons.org/licenses/by-sa/3.0/ | |
q84_875005 | What kind of chord does the guitar play right at the beginning of the song? | Major 7 | Minor | Dominant 7 | Major 7#4 | Harmony | Instrumentation | High | 00:00 | 00:30 | https://www.jamendo.com/track/875005 | 875005 | look up | This Public Life | The Banquet | http://creativecommons.org/licenses/by-sa/3.0/ | |
q85_1215807 | What kind of accompaniment does the guitar play? | Arpeggios | Counterpoints | Riffs | Broken chords | Musical Texture | Harmony;Instrumentation | Medium | 00:00 | 00:30 | https://www.jamendo.com/track/1215807 | 1215807 | Fine | Manhat10 | Take It (EP) | http://creativecommons.org/licenses/by/3.0/ | |
q86_1215807 | What human sound does the lead instrument resemble in the introduction? | Whistle | Vibrato | Scat | Falsetto | Sound Texture | Instrumentation | Low | 00:00 | 00:30 | https://www.jamendo.com/track/1215807 | 1215807 | Fine | Manhat10 | Take It (EP) | http://creativecommons.org/licenses/by/3.0/ | |
q87_1215807 | Which instrument creates a mood of excitement in the song? | Digital Pads | Drums | Electric guitar | Piano | Instrumentation | Mood and Expression | Medium | 00:30 | 02:00 | https://www.jamendo.com/track/1215807 | 1215807 | Fine | Manhat10 | Take It (EP) | http://creativecommons.org/licenses/by/3.0/ | |
q88_306166 | What kind of chord does the guitar play right at the beginning of the song? | Minor | Augmented | Major | Block chord | Harmony | Instrumentation | Low | 00:00 | 00:30 | https://www.jamendo.com/track/306166 | 306166 | See The Ghosts | Stephane TV | s/t (ep) | http://creativecommons.org/licenses/by-nc-sa/3.0/ | |
q89_306166 | Which is the first interval sung by the lead voice? | perfect 5th | minor 2nd | unison | major 2nd | Melody | Medium | 00:00 | 00:30 | https://www.jamendo.com/track/306166 | 306166 | See The Ghosts | Stephane TV | s/t (ep) | http://creativecommons.org/licenses/by-nc-sa/3.0/ | ||
q90_306166 | How does the drummer create anticipation for the final verse? | Toms and snare fill | Cymbal fill | Hi Hat fill | Kick drum fill | Performance | Metre and Rhythm;Instrumentation | Medium | 02:28 | 03:00 | https://www.jamendo.com/track/306166 | 306166 | See The Ghosts | Stephane TV | s/t (ep) | http://creativecommons.org/licenses/by-nc-sa/3.0/ | |
q91_8559 | Which country does the song evoke? | Spain | Mexico | Russia | United Kingdom | Historical and Cultural Context | Genre and Style;Instrumentation;Mood and Expression | Low | 00:00 | 01:30 | https://www.jamendo.com/track/8559 | 8559 | Silk Road | Manu Cornet | Distance & Temps | http://creativecommons.org/licenses/by-nc-sa/2.5/ | |
q92_8559 | Which guitar instrumental technique is used in the song? | Flamenco Strum | Pull Off | Slide | Palm Mute | Performance | Instrumentation;Genre and Style | Low | 00:00 | 01:30 | https://www.jamendo.com/track/8559 | 8559 | Silk Road | Manu Cornet | Distance & Temps | http://creativecommons.org/licenses/by-nc-sa/2.5/ | |
q93_8559 | What kind of bass is used in the song? | Double Bass | Acoustic Bass | Electric Bass | Baby Bass | Instrumentation | Medium | 00:00 | 01:30 | https://www.jamendo.com/track/8559 | 8559 | Silk Road | Manu Cornet | Distance & Temps | http://creativecommons.org/licenses/by-nc-sa/2.5/ | ||
q94_1420928 | What kinds of string instruments are used in the intro? | Digital Synth Strings | Acoustic Strings | Baroque Strings | Sitar | Instrumentation | Sound Texture | Low | 00:00 | 00:30 | https://www.jamendo.com/track/1420928 | 1420928 | Free forever - James Stefano | Monkeyman | Monkeyman-Music presents | http://creativecommons.org/licenses/by/3.0/ | |
q95_1420928 | What emotions does the song create? | Joyful | Dreamy | Amusing | Sad | Mood and Expression | Low | 00:00 | 01:30 | https://www.jamendo.com/track/1420928 | 1420928 | Free forever - James Stefano | Monkeyman | Monkeyman-Music presents | http://creativecommons.org/licenses/by/3.0/ | ||
q96_1420928 | How many chords does the song use? | 4 | 3 | 2 | 1 | Harmony | Medium | 00:00 | 00:30 | https://www.jamendo.com/track/1420928 | 1420928 | Free forever - James Stefano | Monkeyman | Monkeyman-Music presents | http://creativecommons.org/licenses/by/3.0/ | ||
q97_1319502 | In what style is the acoustic guitar accompanying? | Flamenco | Pop | Jazz | Soul | Genre and Style | Instrumentation | Low | 00:00 | 01:30 | https://www.jamendo.com/track/1319502 | 1319502 | Wanna See You | Niki J Crawford | nan | http://creativecommons.org/licenses/by-nc-nd/3.0/ | |
q98_1319502 | What kind of drums are used in the song? | Digital pads | There is no drums | Acoustic drums | Other type | Instrumentation | Sound Texture | Medium | 00:00 | 01:30 | https://www.jamendo.com/track/1319502 | 1319502 | Wanna See You | Niki J Crawford | nan | http://creativecommons.org/licenses/by-nc-nd/3.0/ | |
q99_1319502 | Which country do you imagine this song is from? | USA | United Kingdom | France | Russia | Historical and Cultural Context | Genre and Style | Low | 00:30 | 2:00 | https://www.jamendo.com/track/1319502 | 1319502 | Wanna See You | Niki J Crawford | nan | http://creativecommons.org/licenses/by-nc-nd/3.0/ | |
q100_1247352 | Which instrument plays the lead sound in the introduction? | Muted trombone | Trumpet | Tuba | Saxophone | Instrumentation | Sound Texture | High | 00:00 | 00:30 | https://www.jamendo.com/track/1247352 | 1247352 | Talk Samba (Parliamo un pò) | Boom Boom Beckett | Boom Boom Baby | http://creativecommons.org/licenses/by-nc/3.0/ |
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